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Web of Dreams

By Virginia Andrews

The Casteel family saga concludes with this fifth and final book as Annie and Luke return to Farthinggale Manor to finally put her past behind her. But the Manor still holds one final key to the mysteries surrounding her family.

GHOSTS FROM THE SHADOWS OF THE PAST

On their return to Farthinggale Manor, the mystery-shrouded luxury home of the Tatterton family, Annie and Luke believe that they will be putting the past finally to rest, and bringing peace to the spirit of Annie’s mother, Heaven.

But Annie discovers a diary at Farthinggale. There she finds the story of her grandmother, Leigh, and of her great-grandparents. Born into the privileged life of Boston’s wealthy classes, Leigh hopes for happiness. Her dreams are shattered, however, when her parents divorce, and her mother Jillian marries Tony Tatterton. The awful shadow cast by the Tatterton family over the lives of the next three generations begins to spread…

Format: Paperback (A Format)
Release Date: 06 Aug 2007
Pages: 416
ISBN: 978-0-00-617822-4
Price: £12.99 (Export Price) , £12.99, €None
Virginia Andrews lived in Norfolk, Virginia, studied art and worked as a fashion illustrator, commercial artist and portrait painter. Flowers in the Attic, based on a true story, was her first novel. It became an immediate bestseller on both sides of the Atlantic when it was first published in 1979. Virginia Andrews died in 1986, leaving a considerable amount of unpublished work.

Praise for Virginia Andrews: -

”'Beautifully written, macabre and thoroughly nasty… it is evocative of the nasty fairy tales like Little Red Riding Hood and The Babes in the Wood, with a bit of Victorian Gothic thrown in. … What does shine through is her ability to see the world through a child’s eyes” - Daily Express

”'Makes horror irresistible” - Glasgow Sunday Mail

”'A gruesome saga… the storyline is compelling, many millions have no wish to put this down” - Ms London

”'There is strength in her books - the bizarre plots matched with the pathos of the entrapped” - The Times